The Theatre of 2010 – My Hopes

December 31, 2009

Whilst people are making their New Year Resolutions, and institutes are celebrating what 2009 held for theatre listing the best of the best, and even the worse of the worse… I’m looking beyond all of this. We’ve already seen several Hot Tips appearing for theatre in 2010, and with new season announces each week the anticipation for the first big sellers is getting exciting. For me, I’m hoping 2010 will see the start of change in theatre.

So without further hesitation, here are A Younger Theatres’ Hopes for Theatre in 2010…

#1 Continued West End Ticket Sales – Recession was a hot topic on everyone’s lips during 2009. We saw numerous companies go into Administration and disappear off our high streets. Purses and wallets were firmly kept shut, yet somehow the West End saw an increase in ticket sales and remarkably out riding the recession. They say that theatre is a form of escapism and perhaps audiences were inclined to spend their money on musicals and plays to forget their woes. Whatever the reason, let’s hope that 2010 continues with the sales and theatre shows us what it is really made of during finical crisis.

#2 Lighting In The Lime Light – The forgotten talent in theatre. I hope that in 2010 lighting gets the recognition that it readily deserves, that critics take up their pen and paper and focus on how these wonderful shows they are writing about are seen through the designs painstakingly made by lighting designers. It’s as if this area of theatre gets completely lost in the lime light of the actors who are being lit. Lighting is atmospheric, stunning and highly creative – so lets see people talking about it more, instead of leaving it in the dark. (Let’s also hope the lighting puns/jokes stop too… lime light?! What was I thinking?)

#3 Younger People Breaking Through – The very nature of this blog is for myself to have a platform to express my thoughts and feelings on something that I completely adore. I admit wholeheartedly I am young, at 21 years old, and writing about theatre in the best fashion I can. 2009 has taught me that there is a gap within theatre that is slowly being filled with the younger generations, be it through youth theatres gaining greater success, or the new breed of playwrights getting younger. What I hope for though is that we start to see the written form of the younger generations as critics such as myself having a greater platform in discussing both theatre and the arts.  We might not have the many years of theatre under our belts like Billington, but we do come with passion and a whole new point of view. 2010, let it be the Year of the Younger Generations!

#4 Internships On Top – The recession might not have dampened ticket sales in the West End but jobs in the arts are drying up, where a single advertisement can get several hundred people applying. 2009 saw the boom in the Internship, something I discuss here. My hopes for 2010 is for Internships to continue with the increasing number of applicants but also to begin to evolve with this demand. Internships allow for much learning, but lets not squash that learning by it becoming the norm. Let 2010 keep Internships on top form.

#5 Ecofriendly Theatre – Our climate is changing, but what are theatres doing about it? The Arcola Theatre is one of the leading theatres in taking the green initiative and adapting their theatre to tackle climate change. I hope that 2010 sees other theatres taking up the greener side of theatre – LED Lights anyone? What more, I’d like to see bigger theatres doing their bit and proposing how they will tackle a more enviromentally friendly theatre for 2010.

#6 Social Media For Better – Phenomenons such as Facebook and Twitter have changed the way theatres are now engaging with their audiences. We saw the first devised opera through the means of Twitter – a great collaboration between audience and the Royal Opera House. Twitter has enabled theatres to tell us more, to give insights into what lies behind the walls, deep in the offices and backstage areas. It has allowed voices to emerge from the depths of theatres. Let’s hope 2010 brings more engagement with audiences through the joys of Social Media, and better improvement on how it is effectively used in marketing campaigns.

#7 The London Fringe Festival – The talk of the town after an announcement was made that there is to be the London Fringe Festival in August 2010. What can I say to this? My hope is simply this: The organisers realise that their attempts at putting on a Fringe Festival in London during August when the Edinburgh Fringe Festival is taking place is barbaric. If they want to make this a success, they have to base their model on something that is not already in place. My hope for 2010 is that this festival either completely flops or completely blows all our minds. Whatever the outcome – let it be a lesson learnt. (Let’s also hope for a better website, better organisation, and better ideas for this 2010 Fringe Festival…)

So here are a few of my hopes for the Theatre of 2010… what are your hopes?

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Sacred Festival – Chelsea Theatre

October 19, 2009

Sacred FestivalLondon is most certainly a buzzing place, bursting full of life and events, so much so that it can sometimes be a bit difficult to focus on what might be worth a trip to and what just gets buried under the heap of other things that happening. Shamefully, theatre is one of those things that easily saturated with new shows, events and even festivals, meaning a lot gets missed.

Festivals, bringing together artists, shows, discussions, and generally speaking a whole excitement of culture are not to be missed. Especially that of Theatre Festivals, so let me draw your attention to the Sacred Festival being held next week at the Chelsea Theatre. It’s well worth a look.

The Sacred Festival has been running since 2006 at the Chelsea Theatre and has magically passed under my radar each year. However with the sort of line up within this years festival, I struggle to see how it’s not the talk of the town… yet. The festival focuses on Contemporary Theatre and whilst this is quite a broad spectrum, 2009 see’s the Chelsea Theatre linked with leading Austrian venue, Brut in Vienna and a whole host of leading and well known contemporary theatre practitioners.

The festival has so many promising events and shows that its hard to know where to begin, but here are a few highlights that should be noted in your diaries:

The Merry Widow by Cezary Tomaszewski

The Merry Widow by Cezary Tomaszewski

First comes Cezary Tomaszewski’s new production, an operetta called The Merry Widow. What is most intriguing about Tomaszewski’s production is that it uses four real-life Polish cleaning ladies. Taking the piece into quite an interesting dimension which promises to “free the genre from the dusts of simplicity and naivety and succeeds in placing into the centre of attention those who are otherwise almost wholly excluded from cultural creative processes.”

I'm Thinking Of Your (Version 2) by Franco B

I'm Thinking Of Your (Version 2) by Franco B

Franco B, a well known performance artist for using his body as a canvas for performance will be presenting his new show, I’m Thinking Of You (Version 2). Seeking to “present a surreal, dreamlike image… a romantic vision of childhood fantasy and abandon. The body is central, but we are also presented with objects and music, which converge to take the viewer through a contemplative, personal experience.” It will most certainly be one of the highlights of the festival for me, having heard of Franco B through many methods.

Other performances I’m eager to see include Action Hero‘s contemporary version of A Western, who are turning into a well known company on the contemporary theatre circuit. Originally from the depths of Bristol, I first heard of Action Hero last year during May Fest and since then the likes of Lyn Gardener regularly praises them. Including in the must see performances are Gob Squads show Live Long and Prosper, although a video instillation it will certainly prove to be just has fun, whacky and promising as their earlier work.

Sacred Festival isn’t just about performances though. There are a number of post show discussions with the various artists who are performing, which are completely free. Also there are several workshops that you can attend with some of the practitioners including ‘Writing for performance’ by Lone Twin, and ‘Art, Sex and Politics’ by Franco B.

For more information on the festival, see the Chelsea Theatre website… and if anything, get yourself down to see some of Europes best artists in a small but delightful theatre.

The Sacred Festival runs at the Chelsea Theatre from 21st October to 22nd November 2009