Circus is a difficult art form when it comes to the exploration of work and in its attempts at raising the profile of this technical art. Circa’s new work of the same name, attempts to explore the boundaries of what circus can be, although somewhere along the line its artistic director Yaron Lifschitz seems to equally have gotten lost in the boundaries.
Circa is an 80 minute piece exploring the companies work into circus, acrobatic, and physical work. It shifts from subtle mini explorations of the body, to large aerial work, yet somehow I am not convinced by the outcome. The performers are impressive, their skills are above the level of standard I have seen in recent months when it comes to both ability and energy. They deliver their acts with brilliant percission and skill. They are trained to perfection.
The problem with this performance is Lifschitz attempts are breaking apart the boundaries of the performance of circus work, with the exploration of the companies work – it’s research and development. It almost feels like Circa is a showcase of the companies work, a ‘look what we can do with our bodies’ style which leaves no room for performance narrative or substance.
Of course any performance relating to circus and acrobatic work can do without a narrative nor spoken dialogue – yet Circa needs this to piece together the various ‘acts’ together. The companies explorations of their body is fascinating, with their deep understanding of small movements of hands, muscles, limps but in the greater context of the piece, much is lost and not found.
The highlight of the night has to come from a daredevil moment between a female and male performer. The female in question wears bright red high heel shoes, and proceeds to stand and balance on her partner. This act continues as she moves around his body, standing on his legs, chest, shoulders – whilst the man shifts balance with skill and sheer muscle strength. The subtle undertones of sexual relationships between them spoke volumes – this work is clearly pushing the boundaries, giving shock and delight to its audiences. It is just a shame that the rest of the piece doesn’t work in this manner.
Circa may have proved that their skills are finely trained, but their artistic approach to a performance leaves little to be desired.
Circa is part of the Bite 10 Season at the Barbican Theatre and is performing from 9th – 14th March. Tickets available through the website.